'We Were the First Punks': The Ladies Rebuilding Grassroots Music Culture Throughout Britain.
Upon being questioned about the most punk thing she's ever done, Cathy Loughead responds instantly: “I performed with my neck injured in two locations. Not able to move freely, so I decorated the brace instead. That was an amazing performance.”
She is part of a rising wave of women redefining punk culture. Although a upcoming television drama focusing on female punk airs this Sunday, it reflects a phenomenon already flourishing well past the television.
The Leicester Catalyst
This momentum is most palpable in Leicester, where a recent initiative – now called the Riotous Collective – lit the fuse. Cathy participated from the start.
“In the early days, there existed zero all-women garage punk bands here. By the following year, there were seven. Currently, twenty exist – and increasing,” she remarked. “There are Riotous groups throughout Britain and internationally, from Finland to Australia, recording, gigging, featured in festival lineups.”
This surge isn't limited to Leicester. Around the United Kingdom, women are repossessing punk – and changing the environment of live music simultaneously.
Breathing Life into Venues
“Numerous music spots around the United Kingdom thriving thanks to women punk bands,” she added. “So are rehearsal studios, music teaching and coaching, studio environments. That's because women are in all these roles now.”
They are also transforming the crowd demographics. “Women-led bands are gigging regularly. They're bringing in more diverse audiences – people who view these spaces as safe, as belonging to them,” she added.
A Movement Born of Protest
A program director, from a music youth organization, commented that the surge was predictable. “Females have been promised a vision of parity. However, violence against women is at alarming rates, extremist groups are using women to peddle hate, and we're gaslit over subjects including hormonal changes. Women are fighting back – through music.”
A music venue advocate, from the Music Venue Trust, sees the movement reshaping regional performance cultures. “We're seeing varied punk movements and they're feeding into regional music systems, with local spots programming varied acts and creating more secure, more inviting environments.”
Mainstream Breakthroughs
In the coming weeks, Leicester will present the first Riot Fest, a weekend festival showcasing 25 all-women bands from the UK and Europe. In September, an inclusive event in London honored BIPOC punk artists.
The phenomenon is edging into the mainstream. A leading pair are on their first headline UK tour. A fresh act's initial release, their record name, charted at sixteenth place in the UK charts this year.
Panic Shack were shortlisted for the an upcoming music award. A Northern Irish group secured a regional music award in last year. Hull-based newcomers Wench performed at a notable festival at Reading Festival.
It's a movement rooted in resistance. Within a sector still dogged by misogyny – where women-led groups remain less visible and live venues are closing at crisis levels – women-led punk groups are establishing something bold: a platform.
Timeless Punk
In her late seventies, a band member is proof that punk has no seniority barrier. From Oxford percussionist in her band began performing only twelve months back.
“As an older person, there are no limits and I can do what I like,” she said. Her latest composition includes the chorus: “So scream, ‘Fuck it’/ Now is my chance!/ The stage is mine!/ I am seventy-nine / And in my fucking prime.”
“I love this surge of elder punk ladies,” she remarked. “I couldn't resist when I was younger, so I'm making up for it now. It's wonderful.”
Kala Subbuswamy from the Marlinas also mentioned she was prevented to rebel as a teenager. “It's been important to finally express myself at my current age.”
Another artist, who has toured globally with various bands, also views it as therapeutic. “It's a way to vent irritation: going unnoticed as a mother, as an older woman.”
The Power of Release
Comparable emotions motivated Dina Gajjar to create her band. “Standing on stage is an outlet you were unaware you lacked. Women are trained to be acquiescent. Punk rejects that. It's raucous, it's raw. This implies, when bad things happen, I consider: ‘I should create music from that!’”
But Abi Masih, a band member, remarked the punk lady is all women: “We are simply regular, working, talented females who love breaking molds,” she explained.
Maura Bite, of the act She-Bite, concurred. “Ladies pioneered punk. We were forced to disrupt to get noticed. We continue to! That rebellious spirit is in us – it seems timeless, elemental. We're a bloody marvel!” she exclaimed.
Challenging Expectations
Not every band conform to expectations. Band members, involved in a band, aim to surprise audiences.
“We avoid discussing age-related topics or curse frequently,” commented one. Her partner added: “Well, we do have a brief explosive section in all our music.” Julie chuckled: “Correct. However, we prefer variety. Our last track was about how uncomfortable bras are.”